Certainly can't leave out how masterful he plays the guitar, picking like Doc Watson one minute and then slipping a slide on to get way down in the alley. His licks rang out sharply picked notes smothered in the blues like pancakes with molasses. To get a taste visit his well designed website at www.doug-macleod.com He's got great video examples of his playing, documentation of all his recordings, lyrics of his tunes, guitar lesson offer, a highly impressive biography, etc...

Check out his music store for his stuff, which is a testament to just how long he's been at the blues gig. My favorite CD has always been Live As It Gets with Juke Logan. Maybe because Juke's a cracker jack harp man.

BUT There's A Time has just replaced it as my all-time favorite acoustic blues album. I did get to chat with Doug before and after his performance and testify as to what a nice gentlemen he is. As a harp player, I just had to ask him about George Smith.

I share this one tidbit, since many harp players are also gear heads. Like many of the legends of the instrument, Smith was far from it. Doug said he never, ever played through an amplifier and most he did to get ready for a performance was call out for a mike check.

Ricky Bush - A View Of The Blues


Go back to » www.doug-macleod.com

Archives Doug MacLeod Blues News

I've been a fan of Doug MacLeod for a long time and was thrilled that the blues fest booked him. Historically the fest never really gains a crowd until well after 4pm, so his 2:30 start time was sparsely populated. We were encouraged to drag chairs down close to the stage, which made for a more intimate setting. The crowd increased considerably by the end of his set. The Ol' blues veteran had them eating out of his hand with his first song. The man has an old soul full of insight and wisdom. Anyone unfamiliar with his music had to be totally surprised that the sound coming from the stage was by a white performer. In fact, I'd say if they'd been blind folded, they would assumed that the man was black and from another era. Even his stage patter oozes such authenticity, no doubt from the years he played with the real deals for predominantly black audiences for years.

He performed nothing but his original music. He told tales preceding each and about each tune with equal doses of deep philosophy from what he learned  from his mentors (mentioning that they'd never use a word like philosophy), hilarious situations, heartbreaking situations, but with plenty of optimism thrown into the mix. Especially, optimism. One song in particular hit exactly on that theme about looking through life with "Brand New Eyes" from his Blues Music Award winning album, There's A Time, which also garnered him their Acoustic Blues Artist of the year. I have no intention of covering his set list here, just need to drive home the point that every song told a story that meant something deeply to him on his journeys through the blues, chocked full of every facet of human emotion. Those emotion left the stage and permeated the audience. Well, at least, it did for me. I felt what he must have felt as he wrote it and now sung it.


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Navasota Blues Festival Review

Gonna start with the man that George "Harmonica" Smith called Dubb. When Doug MacLeod played in his bands, he never corrected him and he's written many an article about his adventures with the legendary harp player in what used to be Blues Revue Magazine and is now simply Blue Music Magazine. He also spunned tails about his time with Pee Wee Crayton over the years for the same mag...

Friday, June 20, 2014